How might multimodal composition mirror democracy’s inherent conflicts? Our goal is to offer a concept of multimodal composition that invites political tension in the strata of its tools, but also in the rhetorical space they create. What would it mean to uncover and nurture modes of political conflict that are coextensive with our tools for political speech? How might we make political conflict participatory via multimodal composition?
The Creators of The Digital Manifesto Archive
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